Gabrieli and Frescobaldi, in particular, drew upon the form. The first of four canonical fugues; ‘alla Ottava’ takes its place between these introductory contrapuncti and three counter fugues viz. Un immense cube en bois, dont les surfaces tombent, s’effondrent ou coulissent, donne naissance à une multiplicité de paysages aux volumes changeants. Bach: The Last Keyboard Works [B-1] Bach: The Art of Fugue / Musical Offering, J.S. Jacques Drillon (Van de Velde, 1985) « Sur L'Art de la fugue », texte d'accompagnement de l'enregistrement vinyle de L'Art de la fugue, Deutsche Harmonia Mundi, 1969. The Art of Fugue was regarded as a labyrinthine exercise; a drily academic tangle of uncommon severity. Les meilleures offres pour Jean Sébastien Bach –L'Art De La Fugue -Le Club Français Du Disque ‎– 2384-2385 sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! Aujourd'hui sur Rakuten, 250 L Art De La Fugue Bach vous attendent au sein de notre rayon . Its main theme is inverted and a chromatic counter-subject is maintained throughout. (Harpsichord), Recorded at Schloß Kirchheim, Cedernsaal, Germany. 6-CD (2004): Amazon.com | Amazon.co.uk | Amazon.de, Die Kunst der Fuge BWV 1080, instrumentation and realization by Milan Munclinger, Viktorie Švihlíková (Harpsichord); Josef Hála (Harpsichord); Jiři Mihule (Oboe); Stanislav Duchoň (Oboe, Oboe da Credit for its twentieth-century revival must go to the young Swiss student Wolfgang Graeser (1906–28). That year, while visiting Potsdam, Bach was challenged by Frederick the Great to improvise a six-part ricercare. Two works, the Italian Concerto (BWV971) and the Overture in the French Style (BWV831) appear as Clavier-Übung Part II (1735). Paru le 15/05/2013 chez Arion; Artiste principal : Célimène Daudet; Genre : Classique; Disponible en. The response is inverted and diminished while variously-spaced stretti are straight, inverted, normal, diminished, double and triple. L'Art de la fugue--the Art of fugue--die Kunst der Fuge. Find album reviews, stream songs, credits and award information for Bach: L'Art de la Fugue - Hermann Scherchen, Toronto Chamber Orchestra on AllMusic - 1994 Melodiya MELCD-1002006, Recorded in Moscow, Russia. The theme takes on four seperate guises. His second part had the canons, mirror fugues and the quadruple fugue. Beyond the hub of Bach’s continent, The Art of Fugue was now reconsidered with equal zeal, thought of less as the last disordered, creative gasp of a dying man and more the comprehensive, consummate summation of Bach’s immeasurable genius. Until the present century many would-be performers remained doubly flummoxed as the score bore no directions about the work’s instrumentation. 2nd recording of Die Kunst der Fuge BWV 1080 by K. Ristenpart. One, on special paper, went to the king, the remainder were sold at one thaler each. Stream ad-free or purchase CD's and MP3s now on Amazon.co.uk. Bach: L'art de la fugue [2-LP] Karl Ristenpart Conducts J.S Bach L'art De La Fugue BWV 1080 [2-CD] Die Kunst der Fuge BWV 1080, includes Counterpoint 1, 3, 2, 4, 14, 5-7, 15, 12-13, 16, arranged for chamber orchestra by Helmut Winschermann: Karl Ristenpart Buy this album at: Bthis album at: Amazon.com | Amazon.com, Bach: Art of the Fugue [A-1] Karl Ristenpart Conducts J.S Bach L'art De La Fugue BWV 1080 [2-CD] [A-1], Die Kunst der Fuge BWV 1080, includes Counterpoint 1, 3, 2, 4, 14, 5-7, 15, 12-13, 16, arranged for chamber orchestra by Helmut Winschermann, Saarländischer Rundfunk Kammerorchester (Orchestre de chambre de la Radiodiffusion sarroise ), Huguette Dreyfus (Harpsichord); Robert Veyron-Lacroix (Harpsichord), Recorded at Saar, Fraulautern Minte, Germany. Scherchen. Copier. 2-CD: Paul Kuentz, J.S. Sony Classical SB2K-62331, Recorded at 30th Street Studios, New York City, New York, USA. J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app Écouter sur Qobuz. L'art de Zhu Xiao Mei au servie de l'Art de la fugue de JS Bach pour cet enregistrement au piano de l'œuvre du Cantor de Leipzig. Comprend 13 contrepoints, 4 canons et 3 fugues (dont 1 inachevée) J. S. Bach. Bach: Die Kunst der Fuge - The Art of the Fugue [A-3], Gustav Leonhardt The results were messy and bewildering and performers looked at the work in utter confusion. Unlike contrapuncts within The Art of Fugue the splendour and severe lyricism of this Ricercare emerges from within the six entries and six additional statements of the theme, one in each voice. Glenn Gould (Piano) [2, 3, 4], Jan-Feb 1962 [1]; Nov 1967 [3]; Apr 1980 [4]; Spring 1981 [2], Recorded at All Saints' Anglican Church, Toronto, Canada & Chapel of the Theological College, New York City [1]; CBC tevision broadcast, CBC Studios, Canada [2, 3]; Eaton's Auditorium, Toronto, Canada [4]. His two eldest sons became agents for the ‘Offering’ in Halle and Berlin. L'art de la fuga (Die Kunst der Fuge), BWV 1080, és una obra musical composta per Johann Sebastian Bach, que la va començar probablement entre el 1738 i el 1742.Fou publicada inacabada l'any 1751 després de la seva mort. Then Canon ‘alla Decima, Contrapuncto alla Terza’ with the syncopated inversion heralds the first of the two mirror fugues. Die Kunst der Fuge BWV 1080 - Contrapunctus 1-9 2-LP / TT: 90:16 Canon (in Hypodiatessaron) per Augmentationem in Contrario Motu: A daring variation on the basic outline of the theme. Buy this album at: Isaacs) [B-1], Bach-L. Isaacs: Die Kunst der Fuge BWV 1080, arranged for chamber orchestra [87:20], Argo ZRG-5421-5422 Fuga a 2 Clav. L'Art de la fugue Johann Sebastian Bach. View credits, reviews, tracks and shop for the 1969 Vinyl release of L'Art de la Fugue, Bwv 1080 on Discogs. Bach’s uncommonly severe chorale preludes and even more the four peculiar Duets with abrupt, chromatic and (sometimes) bitonal strands, accentuate the diversity. Bar 23 brings a second exposition. La seconde version, publiée après la mort de Bach en 1751, contient 14 fugues et 4 canons, mais elle comporte des erreurs et des incertitudes dans l'ordre des contrepoints. There is an oblique descending-third reference to a hymn utilised in the cantatas: viz. Seuls 30 exemplaires de L’Art de la fugue furent vendus à l’époque, et plus tard, les caractères de cuivre utilisés pour imprimer la partition furent revendus par ses fils comme de la simple ferraille, dans l’espoir d’aider la famille à rentrer dans ses frais. Bach*, Orchestre De Chambre De La … SKU:18-20-0428-136. Canon (in Hypodiapason) alla Ottava: One of four canonical fugues. Bach: L'art de la fugue, BWV 1080 Célimène Daudet. Gedalge André, Op. Bach had not finished the final fugue, superscribed ‘Fuga a soggeti’ in the printed version; Contrapunctus 14 in this recording (Graeser No 19, see below). Here it is played straight and serves to introduce the basic shape and character of the theme. L’exécution de L’Art de la fugue, considéré comme « le chant de cygne » de Bach, pose des problèmes en raison, d’abord, des incertitudes dans l’ordre des contrepoints. Source: Deutschen Nationalbibliothek, Isolde Ahlgrimm (Pedal Harpsichord) [Ammer pedal harpsichord, 1937/1941]; assisted by Friederike Bretschneider-Resele on a few tracks. Bach’s crowning achievement is concluded. Bach: L’Arte della fuga, Die Kunst der Fuge BWV 1080, orchestration by Hermann Scherchen, Orchestre de La Radio-Television Suisse Italienne (Lugano), Recorded live in Lugano, Switzerland. The latter half has this same canon. Partager Copier le code d'intégration. Buy this album at: Amazon.com. 2-LP / TT: 90:16 2nd recording of Die Kunst der Fuge BWV 1080 by G. Leonhardt. CD (2012): Amazon.com | Amazon.co.uk | Amazon.de, Recorded at Kreuzeskirche, Essen, North Rhine-Westphalia, Germany. Partitions. No cal dir que, probablement, J. S. Bach coneixia obres com les Fugues i capricis a quatre, de François Roberday (1660), atès que Forkel, el seu biògraf principal, comenta que, abans de compondre L’Art de la fuga, havia estudiat detingudament obres antigues d’organistes francesos, grans mestres d’harmonia i de la fuga segons la tradició de l’època. Contrapunctus 12 (Inversus): The entire four-part fugue is mirrored with its bass becoming the soprano and so forth. ‘We shall never know Bach’s innermost thoughts—all we can do is try to discover the meaning.’, ‘The remarkable Tatiana Nikolayeva … uncovers Bach's revelations as if they were her own’ (The Independent), ‘Absolutely superb. Buy this album at: L’Art de la Fugue ou un Nocturne de Chopin ? Two remaining canonical fugues lie between the fugues with several themes and the two mirror fugues. Collection Paul Kuentz CPK-500-065, Recorded at… RISTENPART, KARL - bach; l'art de la fugue - RE-1511-2-MU. Glenn Gould, L' Art de la Fugue, Jean-Sébastien Bach, Documentaire It is heard in stretto and in inversion. | Privacy Policy But the form is only understood when its principles are fully realised as they are within this masterpiece. Écoutez votre album sur Deezer en synchronisant vos comptes Synchroniser. Contrapunctus 13 (Inversus): A complete (mirror) inversion of the preceding Rectus. Added to this were counterfugues where the first statement is inverted and recombined with its original form. J.S. Chailley Jacques, L'Art de la Fugue de J.S.Bach. By 1756 The Art of Fugue had sold only thirty copies and 120 years later it was similarly overlooked but for the sporadic publication of a few keyboard editions. From the Musical Offering it is the 6-part Ricercare alone that survives in Bach’s own hand. Johann Sebastian Bach’s The Art of Fugue (Die Kunst der Fuge), one of the peaks of the Baroque contrapuntal style, also turns out to be one of the most enigmatic works in the history of music. Everyday low prices and free delivery on eligible orders. La lenteur émolliente et le rubato excessif de Tatiana Nikolaïeva diluent le contrepoint : le jeu se délite progressivement et nous assomme. Die Kunst der Fuge BWV 1080, instrumentation by Hermann Scherchen [94:28]; Including rehearsal. See Contrapuntal Compositional Techniques : The Fugue for an introduction to the fugue. J.S. Bach’s final part has just one work, his ‘Aria with Divers Variations’ (BWV988), more commonly known as the ‘Goldberg Variations’. Musidisc RC-744 Above all it summarizes the entire known potential of counterpoint. Tempéraments: 2893. Die Kunst der Fuge BWV 1080, H.Scherchen´s orchestration. Its shift from straight to inverted form occurs after the exposition. This … may account for the greater variety of instrumental attempts.’ The Dutch harpsichordist and scholar explains that Bach never used the soprano clef for flute, oboe or violin. X. Each one argued persuasively that The Art of Fugue was most properly suited to his/her own instrument. However, it could hardly be said to bear his imprimatur for at some point members of the family began passing pages to the ‘unknown’ engraver who continued working from the manuscript with no thought or understanding of the music or its true sequence. Bach, written in the last decade of his life, and acting as a culmination of his experimentation with monothematic instrumental works. Highly recommended’ (CDReview). After a brief passage of counterpoint the print ends while the autograph continues for another seven bars. Accord cit., p. 127-140. Ordering of the mirror fugues remains the subject of prolonged and inconclusive debate. 9. Écoutez Bach: L'art de la fugue par Régis Allard sur Deezer. This widely held view meant that Bach’s towering masterpiece suffered undeserved neglect and obscurity for much of its history. It begins with a variation of the rythmically altered principal theme (cf. Most academics detect Bach’s influence in the ordering of the pieces to this point though several ponder over the use of three (not four) ‘stretto’ counter fugues; Contrapuncti 5-7. Leonhardt Gustav, L'Art de la fugue denière œuvre se Bach pour le clavecin (traduction en français par Jacques Drillon). Bach: Die Kunst der Fuge - The Art of Fugue / Orgelkonzerte – Organ Concertos, Die Kunst der Fuge BWV 1080, arranged by Wolfgang Graeser, Johannes-Ernst Köhler (Organ) [1746 Hildebrandt, St. Wenzel's, Naumburg, Germany], This recording predates the recent restoration of the organ. L'Art de la fugue (en allemand : Die Kunst der Fuge) est une œuvre inachevée de Jean-Sébastien Bach (BWV 1080). This most likely became the basis for his lighter, more questing ‘Ricercare a 3’ which, in turn, joined canons and a trio sonata to make up Ein musikalisches Opfer (‘A Musical Offering’, 1747), a conjunction of contrapuntal works, dedicated to the Prussian king. Open Instrumentation. Copier le lien pour partager la page. J.S. 1st recording of Die Kunst der Fuge BWV 1080 by G. Malcolm. Contrapuncti 1, 2, 3 and 4 are the four simple fugues as detailed below. 2-CD (2017): Amazon.com | Amazon.co.uk | Amazon.de, The Canons are played by Johannes Ernst Köhler (Organ), J.S. Find album reviews, stream songs, credits and award information for J.S. Complete your J.S. Here the royal theme is enlarged with a quiet grandeur in the manner of a slow alla breve. While creating The Art of Fugue, the 65-year-old Bach embodied within the work unparalleled splendour and poetry. Cet élément a bien été ajouté / retiré de vos favoris. Contapuncti 1, 2, 4, 9, 11, 13 14 on piano from later recordings. Leonhardt put the case for the harpsichord and Helmut Walcha claimed it as an organ work. oeuvre musicale dite « classique » avec l’Art de la fugue de Bach et dix interprètes. Buy this album at: Ultime grand cycle de Bach, L’Art de la Fugue constitue un sommet dans la forme la plus exigeante de l’écriture musicale classique : la fugue. Bach: Art of Fugue [A-1] Buy this album at: Amazon.com | Amazon.com, Bach: Die Kunst der Fuge - Art of the Fugue [A-5], Die Kunst der Fuge BWV 1080, instrumentation by Hermann Scherchen, Members of Vienna Radio Orchestra & Vienna Symphony Orchestra, Recorded at Mozartsaal, Vienna, Austria. De quoi nourrir vos convictions personnelles avec la référence L Art De La Fugue Bach si la seconde main fait partie intégrante de vos habitudes d'achat. Isoir - L'Art de la fugue Œuvre magistrale où JS Bach a poussé les limites extrêmes de la fugue, l'Art de la Fugue est des plus fidèlement interprétée ici par André Isoir qui aura marqué la discographie de l'œuvre pour orgue du Cantor. Bach a commencé sa composition aux alentours de 1740 ou 1742, et l'a mise au propre vers 1745. Bach: L'art de la fugue. Bach: L'art de la fugue [2-LP] [A-1] Détails sur le produit. 3rd recording of Die Kunst der Fuge BWV 1080 by H. Scherchen. The two themes are combined after bar 44 while passages of thirds and sixths further enliven both themes. Listen to Bach: l'Art de la Fugue par Hermann Scherchen by Hermann Scherchen, Kenneth Gilbert & CBC Toronto Chamber Orchestra on Apple Music. Thanks to contributors: Holger Bünte-Majoor (March 2015), Wim Girard Bowe (July 2013), Guy Glenet (February 2008), Paul Hodges (May 2005), Teddy Kaufman (July 2007), Bradley Lehman (January 2004), Alain Rimbault (October 2016), John Simkiss (January 2009), Jana Slámová (June 2007), Terms of Use Analyse en video. Contrapunctus 8: A three-part triple fugue and one of the most outwardly attractive items of the entire work. Still greater difficulties arise with the remaining unnumbered items, so quixotically arranged in the first print. N.B. The Graeser version was first heard in 1927 at a concert in the Leipzig church of St Thomas. Graeser’s arrangement was soon set aside in favour of more economical instrumentations. Bach’s treatment of the royal theme has a variety of changing motifs. inversus, János Sebestyén (Hapsichord); Zsuzsa Pertis (Harpsichord), Bach: Art of the Fugue [A-2] (English Horn); Maurice Allard (Bassoon); Roger Dupont (Bassoon), Le Club Français du disque 138-139 Then Breitkopf of Leipzig assembled and printed the work for distribution during the town’s Michaelmas fair, beginning on 1 October (1747). Find scores for Orchestration du Contrapuncus XIX de Lart de la fugue de Bach Berio at Sheet Music Plus. 4,7 étoiles sur 5 17. 2-LP / TT: 90:16 Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works. Bach asked for a 100-copy print run. œ œ . Accord 465893, 2-LP / TT: 90:16 Deuxièmement, parce que l’édition posthume de ces pages a été complétée par le fils du cantor de Leipzig, Carl Philipp Emanuel Bach. The neglected Four Duets are found within Part III of the four-part Clavier-Übung, patterned on a Neue Clavier-Übung (1689) from Johann Kuhnau, Bach’s forerunner as Thomaskantor in Leipzig. « L’Art de la fugue » est – à juste titre – considéré comme un chef d’œuvre. Cette première version contient 12 fugues et 2 canons. Additional to variants of the basic theme heard so far. Two new themes are heard in straight configuration and reappear in contrapunctus 11. Bach: Oeuvres pour Orchestre [B-1], Bach-Bitsch+C. the inverted form at Contrapunctus 8). Later these themes combine with the variation of the principal theme in its inverted from. JS Bach: l'Art de la Fugue par Hermann Scherchen. Again there are two parts with the main theme changed. ‘Wer weiss, wie nahe mer mein Ende’ (‘Who knows how near my end might be’) by the Countess of Schwarzburg-Rudolstadt (1637–1707). Bach: The Art of Fugue, 4 Solo Organ Concertos [A-1], Die Kunst der Fuge BWV 1080, with Final Fugue completed by L. Rogg. Bach:Musikalisches Opfer (L'offrande musicale) et Die Kunst der Fuge (L'art de la fugue) [A-3], Die Kunst der Fuge BWV 1080, in a version by Paul Kuentz [80:31], Paul Kuentz Chamber Orchestra (Orchestre de Chambre Paul Kuentz), Marie-Claire Alain (or Françoise Gangloff) (Organ); Monique Frasca-Colombier (Violin); Christos Michalakados (Viola); Jean Louis Hardy (Cello), Club National du Disque CND-41-1/2 Contrapunctus 11: A four-part triple fugue. De quoi nourrir vos convictions personnelles avec la référence Bach L Art De La Fugue si la seconde main fait partie intégrante de vos habitudes d'achat. 1080 [A-1], From Die Kunst der Fuge BWV 1080: Buy this album at: Régis Allard. Bach: Violinkonzerte - Violinsnaten - Die Kunst der Fuge, Die Kunst der Fuge BWV 1080, arranged for string quintet & 2 harpsichords, Collegium Aureum (4 strings & 2 harpsicords), Ulrich Grelhling (Violin); Ulrich Koch (Alt-viola); Gunther Lemmen (Tenor-viola); Reinhold Johann Buhl (Cello); Johannes Koch (Violone); Fritz Neumeyer (Harpsichord); Lilly Berger (Harpsichord), (DHM) Orbis / IPIX / BASF [LP] The crux of this fugue is its simple, syncopated inversion. He also comments, ‘The Art of Fugue was meant to be studied by playing it, to have its marvels seen, heard, and felt under one’s fingers … it must indeed, be played many times before its deceptive lucidity can be penetrated. Bach: Die Kunst der Fuge (L'Art de la fugue) [Orgue Dom Bedos, P. Quoirin, Sainte-Croix de Bordeaux]. (Harpsichord); Bob van Asperen Bach: L'art de la fugue, BWV 1080 by Célimène Daudet. A plusieurs voix mélodiques qui se superposent et s'entrecroisent, elle est bien plus complexe qu'elle n'y parait. There are almost no dramatic effects; the most fantastic modulations take place discreetly, and the sequences are continually varied with a delicacy unparalleled in Baroque music.’. He declared, ‘Every student of the art … cannot fail to learn from it how to compose a good fugue and will therefore need no oral teacher, who often charges dearly enough.’ Schweitzer took a similar view in his J S Bach, le musicien-poète (1905). Now the total inversion has its own autonomous validity. Numbering of the first (scrupulously engraved) pieces may be based on a second ‘lost’ autograph, changed from the original layout by Bach himself. This complex equation includes an ascending/descending chromatic line regarded as the fourth theme. Célimène Daudet - Bach: L'art de la fugue, BWV 1080 × Mes favoris. Rectus The debilitating final disease prevented its completion. Voici un disque que je rachète pour la troisième fois tant les amis qui l'écoutent sont fascinés par cette interprétation hors norme. 2nd CD: Bach's keyboard works played by Rosalyn Tureck [K-9]. 1st recording of Die Kunst der Fuge BWV 1080 by H. Tachezi. Quantity. 2014 Preview SONG TIME Die Kunst der Fuge, BWV 1080: Contrapunctus 1. Cette belle petite fugue en G mineur BWV 578 de Bach très connue. Listen Download MP3: Bach (arr.Nichifor): L'Art de la fugue - version 8 guitares, 29-IV-2007, Bucarest, Roumanie 288x⬇ 3180x Listen Bach (arr.Nichifor): LArt de la fugue - version 4 guitares électriques, 9-IV-2016, Montréal, Canada He painstakingly unravelled the tangle and in 1924 prepared a running order with the canons and fugues set for various groups of instruments. L’art de la fugue de Jean-Sébastien Bach L’art de la fugue (en allemand : die Kunst der Fuge), est une oeuvre inachevée de Johann Sebastian Bach por - tant le numéro 1080 dans le catalogue BWM. When sold by Amazon.com, this product will be manufactured on demand using CD-R recordable media. In fact the order of pieces on the autograph differs from that established from the printed version. But during his final months, work on publishing The Art of Fugue had already begun. It proved a monumental revelation, an unfinished series of contrapuntal variations imbued with unfailing variety and limitless imagination. Includes only the first 9 Contrapuncti on organ; was intended as volume one of a complete recording, which was never finished. Add to Cart. On le découvre dès la Sonate BWV 966, dans diverses pièces religieuses ou encore dans L’Art de la fugue 1. Et cela, aussi bien du côté du neuf que des produits Bach L Art De La Fugue occasion. Die Kunst der Fuge BWV 1080 - Contrapunctus 1, 2, 4, 14 The second theme, principally in quavers, eventually combines with the first. Avec la participation de Elsa Fottorino, Aurélie Moreau et Christian Merlin Manuscrit de la fugue inachevée Johann Sebastian Bach. News of this event spread through Europe like wildfire. By Johann Sebastian Bach. He completed the ‘Goldberg Variations’ (1742), the Musical Offering (1747, see above) and variations on ‘Vom Himmel hoch’ (1747). 16-Bit CD Quality 44.1 kHz - Stereo. Ristenpart. By 1930 and 1931 New York audiences were witness to performances by the Juilliard Graduate School under director Albert Stoessel. 1st recording of Die Kunst der Fuge BWV 1080 by M. | Amazon.com, J.S. Jean-Sébastien Bach a œuvré toute sa vie pour que la musique resplendisse avec une modestie touchante et aimante. Bach: L’Art de la Fugue [A-4] [E. Demeyere]. Within this sub-section of the Clavier-Übung we find divergent styles—some of almost elegant superficiality, others in antique mode suggest an ‘adopted’ approach. Misc. Weighty orchestral incarnations all but vanished. As we have seen, the nature of instrumentation is not documented. On each occasion the new theme and principle theme combine in two different intervals. Il a poursuivi le travail jusqu'à sa mort, en 1750. But difficulties arose from the incomplete form. Contrapunctus 5: A simple four-part fugue. JS Bach ne donne aucune indication d’instrument pour L’Art de la fugue, et son écriture ne nous éclaire pas plus. L'Art de la fugue; The Art of Fugue (Die Kunst der Fuge) is an incomplete work of unspecified instrumentation by J.S. Buy this album at: Amazon.com, J.S. Samuel Baron (Flute); Ronald Roseman (Oboe); David Glazer (Clarinet); Ralph Froelich (French Horn); Arthur Weisberg (Bassoon), Die Kunst der Fuge BWV 1080, arranged for three organs, Wolfgang von Karajan, Hedy von Karajan, Hans Andrae (Walcker positive organs, 3 of them) [Grande Salle of the Mozarteum, Salzburg, Austria], J.S. Such observations have led to a paradoxical theory that Bach was wholly unconcerned about the eventual performance. The Berlin News (11 May 1747) reported: During the Potsdam gathering (4 May), Bach had essayed a 3-voice fugue for the monarch. These are numbered Contrapunctus 13 (Rectus and Inversus) and Contrapunctus 12 (Rectus and Inversus) and are so ordered through a process of simple logic. L'Art de la fugue (en allemand : die Kunst der Fuge), est une œuvre inachevée de Johann Sebastian Bach portant le numéro 1080 dans le catalogue BWV.On estime que Bach a commencé son écriture aux alentours de 1740 ou 1742 (la première édition de l'œuvre a été recopiée vers 1745), et qu'il l'a poursuivie jusqu'à sa mort, en 1750. 2. Analyse de l'Art de la Fugue de Bach. 4,6 étoiles sur 5 25. Now the main theme is inverted and rythmically diversified. Bach: L'Art de la Fugue - André Isoir on AllMusic - 2000 In 1932 Tovey endorsed the nineteenth-century belief that the work had been intended for the keyboard. Bach's keyboard works played by Rosalyn Tureck [K-9]. Contrapunctus 5, Contrapunctus ‘in Stylo Francese’ and Contrapunctus ‘per Augmentationem et Diminutionem’. Lorsque Bach mourut (1750), la … Buy this album at:  Bach: Harpsichord Concertos; The Art of Fugue (arr. The increasing rhythmical and harmonic intensity retains its symmetry through recapitulations and later to a dimunution of motifs taken from the subject. J.S. Recording Engineer: Igor Veprintsev; Editor: Natalia Storchak; Remastering: Maxim Pilipov. Canon ‘per Augmentationem in Contrario Motu’, with its forthright variation of the basic form of the principal theme, relates strikingly to Contrapunctus 11 which it follows in this recording. 2. [93:39], Recorded at Cathédrale St Pierre , Geneva, Switzerland. Néanmoins le travail de publication de L’Art de la fugue avait déjà commencé quelques mois avant sa mort. Contrapunctus 4: Again Bach employs the same inverted form of his theme. German scholar Friedrich Blume reasoned that Bach saw his work as an esoteric activity, a disinterested transmission of purely abstract theory: ‘Bach wanted to continue a tradition of consummate contrapuntal skill … inherited from the (Roman) school of Palestrina’s period by way of Sweelinck, Theile, Werckmeister and Vitali.’. Notes Collection personnelle - Side 1: Fugue 1 à IV, Canon à l’octave, Fugue V - Side 2: Fugues VI et VII, Canon par augmentation et mouvement contraire, Fugues VIII à X - Side 3: Fugue XI, Canon à la douzième, Fugues XII et XIII, Canon à la dizième - Side 4: Fugue XIV (inachevée), Choral “Devant ton trône je vais comparaître” BWV 668 Bach: The Keyboard Album - Featuring The Italian Concerto & Art of the Fugue [K-1], Charles Rosen (Piano); Olsen Archers (Piano, tracks 12-15), Columbia Odyssey 3236-0020 Review: Scherchen AoF Analyse de l'oeuvre. 1. L'Art de la fugue (en allemand : Die Kunst der Fuge) est une œuvre inachevée de Jean-Sébastien Bach (BWV 1080). The Art of the Fugue in Wikipedia . Musicians everywhere took note and the academic fraternity considered the event a watershed in our understanding of eighteenth-century music. 2-CD: Amazon.com, J.S. Though composed as a series of fugues on the same subject, Bach did not specify the instruments that should play them. Johann Sebastian Bach : Die Kunst der Fuge (L'Art de la fugue) | Johann Sebastian Bach by Bernard Foccroulle – Download and listen to the album Canon alla Decima (Contrapunto alla Terza): Bach’s technique repeats that on. Emission enregistrée en public le jeudi 19 janvier à 19h au studio 109. Inventivité, créativité, richesse, ces trois mots ne peuvent suffire à définir tout le potentiel du compositeur allemand. Avec Jean-Sébastien Bach, l'art de la fugue porte bien son nom. Together they lead to Contrapunctus 14, the closing B-A-C-H fugue. Remise en ordre du plan. Says theorist Boyd, ‘The mere presence of the Duets still requires explanation, and Bach scholars are not in agreement even about the instrument they were written for.’. By the same token the lower part takes the middle, and the upper part is bass of the Inversus. Organists turned to The Art of Fugue and the work was re-examined yet again. L’Art de la Fugue synthétise parfaitement le savoir et le génie dans l’art du contrepoint de Bach.